The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

Voivode Michael the Brave travels through time, together with his wife, discovering, deeply touched, the new world.

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A woman heads into an AA meeting, only for it not to be the AA meeting that any of them were expecting.

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A man and a woman with a gun run into a Genie and comedy ensues.

Set at a roadside café in the early morning in the Spring of 1947, a young boy and an older man meet by chance. The man relates a luminous tale of personal heartbreak and loss, and of his hard won understanding of the nature of love